By Anne W. Gulick
Responses to this query take form around the black Atlantic from Haiti to South Africa, in texts starting from Haiti’s statement of Independence and paintings by way of C. L. R. James to South Africa’s Freedom constitution, targeté Césaire’s poem Notebook of a go back to the local Land, and Ngugi wa Thiong’o’s A Grain of Wheat. those texts represent a strong transatlantic culture of tough colonial and imperial authority via rhetorical functionality. Drawing at the cosmopolitan aspirations and emancipatory energies of the political assertion, this practice goals to significantly reinvent the chances for legislations and political belonging within the postcolonial future.
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Literature, Law, and Rhetorical Performance in the Anticolonial Atlantic by Anne W. Gulick