By George Cotkin
In Reluctant Modernism: American inspiration and tradition, 1880–1900, George Cotkin surveys the highbrow lifetime of this important transitional interval. His tale starts with the Darwinian controversies, because the mainstream of yankee tradition was once simply commencing to come to grips with the results of the Origins of Species, released in 1859. Cotkin demonstrates the consequences of this shift in pondering on philosophy, anthropology, and the newly constructing box of psychology. Drawing on his large wisdom of those fields, he explains sincerely and concisely the basic tenets of such significant thinkers and writers as William James, Franz Boas, Charlotte Perkins Gilman, Henry Adams, and Kate Chopin. all through this attention-grabbing, readable background of the yankee fin de siècle run the contrasting subject matters of continuity and alter, religion and rationalism, melancholy over the meaninglessness of lifestyles and, eventually, a guarded optimism concerning the future.
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Extra info for Reluctant Modernism: American Thought and Culture, 1880–1900
Reluctant Modernism: American Thought and Culture, 1880–1900 by George Cotkin